these, our bodies, possessed by light

May 15

“Perhaps it’s that you can’t go back in time, but you can return to the scenes of a love, of a crime, of happiness, and of a fatal decision; the places are what remain, are what you can possess, are what is immortal. They become the tangible landscape of memory, the places that made you, and in some way you too become them.” Rebecca Solnit, A Field Guide to Getting Lost (via ofgeography)

ofgeography:

memereve:

This Explains Everything

oh my god. oh my god.

May 14

cardiac-art:

“Volume Project…” by Kincső Tóth

cardiac-art:

“Splash! Room 2013” by The Makerie Studio

republicx:

Collages by Kimama

indypendent-thinking:

Paris, December 1941

May 13

estimfalos:

Incandescent Nights, Marcela Armas

Nocturnal urban morphologies 25 small light boxes. Engraving on acrylic, electric light.

(via soyonscruels)

showslow:

Tactile by Emily Kendall

(via soyonscruels)

arpeggia:

Jessica Lloyd-Jones - Anatomical Neon, 2010

Blown glass human organs encapsulate inert gases displaying different colours under the influence of an electric current. The human anatomy is a complex, biological system in which energy plays a vital role. Brain Wave conveys neurological processing activity as a kinetic and sensory, physical phenomena through its display of moving electric plasma. Optic Nerve shows a similar effect, more akin to the blood vessels of the eye and with a front ‘lens’ magnifiying the movement and the intensity of light. Heart is a representation of the human heart illuminated by still red neon gas. Electric Lungs is a more technically intricate structure with xenon gas spreading through its passage ways, communicating our human unawareness of the trace gases we inhale in our breathable atmosphere.

(via soyonscruels)

May 7

“Well, let it pass, he thought; April is over, April is over. There are all kinds of love in the world, but never the same love twice.” F. Scott Fitzgerald, Magnetism (via mynamesjack)

(via mynamesjack)

these, our bodies, possessed by light

tell me we'll never get used to it.